Here is my Q&A interview with Mr. Burns:
Q: How long have you been an ASM?
A: Since 1988.
Q: Why did you choose to become an ASM?
A: I was pursuing acting, but fell into liking stage management after trying it a couple times. I liked the process and thought it would be a good 2nd option if I didn't get work as an actor.
Q: Where did you apprentice and how long did it take to get your Equity Card?
A: I didn't apprentice, actually. I was offered a stage management job in Ottawa with a theatre that couldn't find an Equity stage manager that was available. I paid a fee to get the card and took the job.
N/A- Didn't apprentice
Q: What companies have you worked at and what type of work did you do?
A: I have worked at the Shaw Festival, Stratford, National Arts Centre in Ottawa, The Globe in Regina, Vancouver, and Manitoba Theatre Centre, all working as an ASM or an SM. I have also worked with Livent doing Phantom of the Opera in Toronto, but the company doesn't exist anymore.
Q: What are the pros and cons to the ASM lifestyle and job?
Pros:
- Responsibility
- Finding a good team you like to work with and working with them on projects on a regular basis
- Job is good for a certain type of personality
Cons:
- Don't get the same recognition as a stage manager does
- Long hours
Q: What shows at the Shaw Festival are you working on at the moment?
A: The President and Drama at Inish
Q: Can you give me some advice on being an ASM?
A: - Have a good sense of humor.
A: - Have a good sense of humor.
- Stay bright and cheerful under pressure.
- Be well-organized and prepared for the job always.
- People like to work with people who make work fun, so just relax and enjoy your work.
I really enjoyed talking to Mr. Burns. I found out some important and insightful information into being an ASM. I was really nervous at first, since it was a phone interview, but what I found that helped me was to just relax and practice asking the questions before calling. When I was on the phone, after the initial greeting, I started to feel more comfortable and the questions I asked came out sounding normal, rather than stuttering when I spoke when I was practicing before hand. Talking on the phone and calling people is important in this industry, I have found out, so I was grateful for the opportunity to talk to someone on the phone.
Sometime next week I am trying to arrange to shadow at Theatre Aquarius during a rehearsal.
No comments:
Post a Comment